A multilayered exploration of poetry, authorship, and digital intelligence by “a writer of immense poetic power” (The Guardian)   “Many paths cross in Ismailov’s beautiful new work—poetry, history and the infinite imagination. Every path winding into another. Every path worth taking.”—Patti Smith   In the late 1980s, French poet and psychologist Jon‑Perse finds himself in possession of one of the most promising inventions of the century: a computer. Enchanted by snippets of Persian poetry he learns from his Uzbek translation partner, Abdulhamid Ismail, Jon-Perse builds a computer program capable of both analyzing and generating literature. But beyond the text on his screen there are entire worlds—of history, philosophy, and maybe even of love—in the stories and people he and AI conjure.   Hamid Ismailov brings together his work as a poet, translator, and...

The intricate new novel from the winner of the EBRD Literature Prize 'Life in exile! May it be cursed. Once you have become a stranger, a stranger you shall remain; you may endeavour to make friends, but the task is a difficult one, full end to end with uncertainty.' In the latest thrilling multi-stranded epic from the award-winning author of The Devils' Dance, an Uzbek writer in exile traces the fate of the medieval polymath Avicenna, who shaped Islamic thought and science for centuries. Waking from a portentous dream, Uzbek writer Sheikhov is convinced that the medieval polymath Avicenna lives on, condemned to roam the world. The novel follows Avicenna in various incarnations across the ages from Ottoman Turkey to medieval Germany and Renaissance Italy. Sheikhov plies the same route, though his troubles are distinctly modern as he endures the petty humiliations of exile. Following the award-winning The Devils' Dance, Hamid Ismailov...

In his latest tragicomedy Hamid Ismailov interrogates the intersection between tradition and modernity. A former radio-presenter wrongly interprets one of his dreams and thinks that he has been initiated into the world of spirits as a manaschi, one of the Kyrgyz bards and healers reciting Manas – the longest human epic, consisting nearly of a million verses – who are revered as people who are connected with supernatural forces. Travelling to a mountainous village populated by Tajiks and Kyrgyzs, he instead witnesses the full scale of the epic's wrath on his life. Following on from the award-winning The Devils' Dance and Of Strangers and Bees, this is the third and final book in Ismailov's Central Asia trilogy.

"In the steppe near Tashkent they came upon a never-ending ladder with wooden rungs and iron rails that stretched across the earth from horizon to horizon...Whistling and thundering, a snake-like wonder hurtled past them, packed both on the inside and on top with infidels shouting and waving their hands. 'The End of the World!' thought both Mahmud-Hodja the Sunni and Djebral the Shiite." Set in Uzbekistan between 1900 and 1980, The Railway introduces to us the inhabitants of the small town of Gilas on the ancient Silk Route. Their colorful lives offer a picture of a little-known land populated by outgoing Mullahs, incoming Bolsheviks, and a plethora of Uzbeks, Russians, Persians, Jews, Koreans, Tatars, and Gypsies. At the heart of both the town and the novel stands the railway station—a source of income and influence, and a connection to the world beyond. The Railway is a picaresque chronicle of the changes felt in Central Asia in the early twentieth...

A haunting Russian tale about the environmental legacy of the Cold War. Yerzhan grows up in a remote part of Kazakhstan where the Soviets tests atomic weapons. As a young boy he falls in love with the neighbour's daughter and one evening, to impress her, he dives into a forbidden lake. The radio-active water changes Yerzhan. He will never grow into a man. While the girl he loves becomes a beautiful woman. Why Peirene chose to publish this book: 'Like a Grimm's Fairy tale, this story transforms an innermost fear into an outward reality. We witness a prepubescent boy's secret terror of not growing up into a man. We also wander in a beautiful, fierce landscape unlike any other we find in Western Literature. And by the end of Yerzhan's tale we are awe-struck by our human resilience in the face of catastrophic, man-made, follies.' Meike Ziervogel

'A mesmerising — and terrifying — novel of tremendous range, energy and potency. This brilliant translation establishes Ismailov as a major literary figure on the international scene.' — William Boyd On New Year's Eve 1938, the writer Abdulla Qodiriy is taken from his home by the Soviet secret police and thrown into a Tashkent prison. There, to distract himself from the physical and psychological torment of beatings and mindless interrogations, he attempts to mentally reconstruct the novel he was writing at the time of his arrest – based on the tragic life of the Uzbek poet-queen Oyxon, married to three khans in succession, and living as Abdulla now does, with the threat of execution hanging over her. As he gets to know his cellmates, Abdulla discovers that the Great Game of Oyxon's time, when English and Russian spies infiltrated the courts of Central Asia, has echoes in the 1930s present, but as his identification with his...